That we protoss can stand bound by a belief in unity. And that we protoss will forge a great and mighty new civilization! Trust in each other in the fight ahead. We provide excellent essay writing service 24/7. Enjoy proficient essay writing and custom writing services provided by professional academic writers. Teaching Ethics is dedicated to the free exchange of ideas among secondary school teachers. The Ethics Workbook presents ways to embed ethics into a typical world. This is opulence. Suddenly, there is extra light blasting from behind my TV screen, making a day-glow title sequence positively atomic. The DreamScreen, a.
Strike as one will! Let our last stand burn a memory so bright that we will be known throughout eternity! A renowned warrior, he seeks to unify his beleaguered people, and will let nothing stand in his way to restore the glory of the protoss. There, he ignited his first psionic blade. The two traveled across hundreds of worlds. Fenix and Artanis led their forces against them and although the protoss were outnumbered 3. I am Judicator. Aldaris, and I have been sent by the Conclave to serve and counsel you. The former Executor, Tassadar, was commanded to halt the Zerg progress in the Terran sector by burning the infested human worlds. Unfortunately, he disregarded his orders and attempted to destroy the Zerg while sparing the Terrans from the flame. Clearly, Tassadar has failed us. You must not. To this end, he began by fortifying the base at Antioch, once again serving alongside Fenix. Antioch was held against the zerg and a successful counter attack was made. Regardless, Tassadar spoke of what he had learned from the Dark Templar, how striking down the cerebrates was the key to winning the war against the zerg. Aldaris decided to give him the benefit of the doubt, though Tassadar maintained that he would remain on Char for the time being, returning when the time was right. In this, he was successful, penetrating the hive cluster and striking down the cerebrate. While Artanis was successful in taking back the province, Antioch came under heavy attack in the meantime, Fenix falling in the assault. And your devotion to our world and our people is as strong as ever. I shall trust in your wisdom, noble Tassadar. I shall be as you wish. He found Tassadar (and his new human companions) after barely rescuing them from a zerg attack led by Kerrigan. And yet, he sensed no evil in Tassadar's thoughts. The response of the Conclave however, was hostile, surrounding the landing zone with the Vanguard of Aiur and ordering them to stand down and surrender the Dark Templar for execution. Initially, Tassadar was willing to battle against the Vanguard of Aiur, Artanis following suit. It was a task that Artanis was ready to take on. How can you so readily give your life? I only ever wished to act as executor of the Templar armies, serving the Conclave's will. But fate has laid this path before me, whether I asked for it or not. I must embrace it for the good of our people. One day you will understand. All leaders must. Fenix proved apt in this, weakening the defenses of the hive cluster, allowing Zeratul to assassinate the cerebrates. With the Conclave's blessings, Artanis, Raynor and Tassadar led their forces against the Overmind and its minions. In the end, though the Overmind was weakened, so too were those who assaulted it. In a final act, Tassadar set the Gantrithor on a collision course with the Overmind, hoping to channel enough Void energy through the hull in order to slay the creature. He was willing to follow the path fate had given him. He told Artanis that one day, he would understand. Due to Tassadar's sacrifice, the Overmind was now dead and the Zerg Swarms were scattered and broken. However, like those around him, Artanis knew that victory had cost them all but their lives. Though I have only recently been appointed Praetor, you can trust that I will uphold the honor and traditions of the Templar. Artanis promised to send as many troops as could be spared back to Aiur before the gate closed. However, Raszagal wanted the zerg scoured from the temple grounds first. But you cannot expect us to forgive Kerrigan's crimes against our race! Executor, prepare our forces. We shall debark for the planet Braxis before the next moonrise. Overcoming damage to their warp matrix, which prevented Artanis' forces from summoning stargates, the protoss defeated the Terran Dominion forces there and recovered the crystal. Vice Admiral Alexei Stukov had constructed a series of missile turrets on a space platform over Braxis, which would prevent the protoss from escaping. Stukov demanded the surrender of the protoss. Zeratul cautioned against underestimating the enemy. However, the assault bogged down as the UED defended the fusion reactors which powered the turrets, with Zeratul dispatching reinforcements when necessary. With this aid, Artanis destroyed the fusion reactors, shutting down the turrets, allowing the escape of the protoss. Unfortunately, the new Overmind had nestled very close to the Khalis, requiring the protoss to fight their way past a large number of zerg in order to recover the crystal. Kerrigan suggested striking hard and fast so as to fight their way through the defenses and escape with the crystal, while Artanis suggested doing enough superficial damage to the Overmind to temporarily pacify the nearby zerg—the new Overmind was still in its infant stage, and it's control over the zerg was still weak. Kerrigan commented that either plan would work. The Khalis was secured and Artanis urged a return to Shakuras lest the zerg overwhelm that world in their absence. The Matriarch has always been a wise and gentle soul. Though there is some merit in her decision, this is very unlike her. May Adun forgive us. Raszagal told them that Aldaris, seemingly angered at the abandonment of Aiur, the alliance with the Dark Templar and the acceptance of Kerrigan, had taken control of the Judicator and Templar warriors and was preparing to lead them in an attack against the Matriarch. Artanis tried to persuade Aldaris that Kerrigan had changed, but Aldaris replied that the Matriarch had been manipulated. As Aldaris tried to explain the real reasons behind his revolt, Kerrigan interrupted the conversation by killing Aldaris. Zeratul banished a gloating Kerrigan from Shakuras as a result of her actions. My brethren and I have come to avenge the deaths of Fenix, the Matriarch, and all of the other Protoss who fell before the Swarm! It is long past time you paid for your crimes against our people. The protoss followed. After a brief alliance (resulting in the death of the Overmind). Zeratul set out in search of Artanis so they could return to Shakuras and plan their next moves. However, the alliance crumbled before the might of the Zerg Swarm. Artanis warned Kerrigan that the protoss would never forget her treachery, and would be watching her. What's the haps? Your quick response honors me Captain Raynor. This is a time of great danger for both our people. Our old nemesis, Admiral Stukov, has returned to finish his original plans. He called a conference with his old terran comrade Jim Raynor, alerting him to the truth of rumors that Raynor had heard; former United Earth Directorate Vice Admiral Alexei Stukov. He didn't want to kill Stukov, however; instead, he would employ a new nanotech serum which could reverse the infestation process. He sent Raynor and Praetor Taldarin to the surface of Braxis in order to accomplish the mission. Afterwards, his forces . IIn 2. 50. 2, it came to pass that Zekrath declared that the body needed a leader—both he and Mohandar agreed that Artanis was the best choice. Artanis refused, reaffirming his intention to leave the group after the end of the next cycle, but other members voiced their support. Artanis was given the day to reconsider. Both Nahaan and Tabrenus threatened to leave the group if Artanis did not take on the position. Artanis made it clear to Mohandar that he had no desire for the position, but as Mohandar pointed out, desire and need did not always align. It was a fact that Tassadar had known to be true. Selendis informed him that members of the Hierarchy were preparing to leave Shakuras, as they did not believe that Artanis would take on the position. Artanis feared that all would be lost if he did not accept. Selendis pointed out that their fleets could take them to a new world, but not, as Artanis pointed out, as the Daelaam. Selendis conceded that perhaps the unity of Khalai and Nerazim was never meant to be. She left, promising to return the following day. Once again left alone, Artanis wished Tassadar was here instead of him. Tabrenus exclaimed that Artanis had obviously not chosen to become hierarch, and that he would leave at once. However, Artanis had indeed agreed to take on the role of hierarch. We shall not see defeat this day. For we stand as one. Our differences will not divide us, but make us stronger. Some protoss could not understand that the Khalai and the Dark Templar were two halves of the same species and were psychologically regressing to a tribal state; Artanis had his hands full trying to prevent this slide into tribalism. His chief assistant was Selendis. Its design was intended to reflect the cultures of both Aiur and Shakuras, and stand as a symbol of their combined strength. He reflected that it offered far more protection than his previous suit. That is why we fight. The gate had been redirected as the last of the travelers entered from the Aiur side; Jake Ramsey, a terran archaeologist, . Zamara was carrying information which was extremely important for the protoss people, and her presence was slowly killing Ramsey. Dahl demanded the protoss help her retrieve them, but they were initially unwilling to trust a terran or risk lives to help her. Executor. Selendis championed Dahl's cause. She hoped to arrange a private audience with Artanis, but instead the entire Hierarchy arranged to be there. Artanis, while taking the views of the other tribal leaders into account, agreed with Dahl and ordered the launch of a rescue expedition. He allowed Vartanil, a survivor from Aiur and craftsman, to accompany the mission, a wise decision since his skills resulted in the rescue of much knowledge. Voices of dissension went unheard as preparations got underway. Rebel dark templar, who angered over how the Khalai protoss . Apocalyptic and post- apocalyptic fiction - Wikipedia. This article is about the genre of fiction dealing with cataclysm. For the genre of religious writings dealing with revelation, see Apocalyptic literature. The apocalypse event may be climatic, such as runaway climate change; natural, such as an impact event; man- made, such as nuclear warfare or resource depletion; medical, such as a Pandemic, whether natural or man- made; or imaginative, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics, or alien invasion. The story may involve attempts to prevent an apocalypse event, deal with the impact and consequences of the event itself, or it may be post- apocalyptic, set after the event. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, the way to maintain the human race alive and together as one, or considerably later, often including the theme that the existence of pre- catastrophe civilization has been forgotten (or mythologized). Post- apocalyptic stories often take place in a non- technological future world, or a world where only scattered elements of society and technology remain. Various ancient societies, including the Babylonian and Judaic, produced apocalyptic literature and mythology which dealt with the end of the world and of human society, such as the Epic of Gilgamesh, written c. BC. And recognizable modern apocalyptic novels had existed since at least the first quarter of the 1. Mary Shelley's The Last Man (1. The story may involve attempts to prevent an apocalypse event, deal with the impact and consequences of the event itself, or may be post- apocalyptic, and be set after the event. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, the way to maintain human race alive and together as one, or considerably later, often including the theme that the existence of pre- catastrophe civilization has been forgotten (or mythologized). Post- apocalyptic stories often take place in a non- technological future world, or a world where only scattered elements of society and technology remain. Other themes may be cybernetic revolt, divine judgment, dysgenics, ecological collapse, pandemic, resource depletion, supernatural phenomena, technological singularity, or some other general disaster. Ancient predecessors. Noah is assigned the task to build the Ark and save the lifeforms so as to reestablish a new post- flood world. Numerous other societies, including the Babylonian, had produced apocalyptic literature and mythology which dealt with the end of the world and of human society. Many of which also included stories that refer back to the Biblical Noah or describe a similar flood. BC, details a myth where the angry gods send floods to punish humanity, but the ancient hero Utnapishtim and his family are saved through the intervention of the god Ea. A similar story about the Genesis flood narrative is found in Sura 7. Quran, where the Islamic counterpart of Noah, N. According to the Matsya Purana, the Matsya avatar of Lord Vishnu, informed the King Manu of an all- destructive deluge which would be coming very soon. At the time of deluge, Vishnu appeared as a horned fish and Shesha appeared as a rope, with which Vaivasvata Manu fastened the boat to the horn of the fish. In the first chapter of Revelation, the writer St. John the Divine explains his divine errand: . He takes it as his mission to convey—to reveal—to God’s kingdom His promise that justice will prevail and that the suffering will be vindicated (Leigh). The apocalyptist provides a beautific vision of Judgement Day, revealing God’s promise for redemption from suffering and strife. Revelation describes a New Heaven and a New Earth, and its intended Christian audience is often enchanted and inspired, rather than terrified by visions of Judgment Day. These Christians believed themselves chosen for God’s salvation, and so such apocalyptic sensibilities inspired optimism and nostalgia for the end times. Such works depict worlds of less complexity, direct contact. According to Professor Barry Brummett it is often the concept of change as much as the concept of destruction that causes public interest in apocalyptic themes. The story centers on a male protagonist as he struggles to keep his family safe but is inevitably left as the last man alive. However, Shelley's novel is predated by Jean- Baptiste Cousin de Grainville's French novel Le Dernier Homme (English: The Last Man (1. Published after his death in 1. Grainville's novel follows the character of Omegarus, the titular . Unlike most apocalyptic tales, de Grainville's novel approaches the end of the world not as a cautionary tale, or a tale of survival, but as both an inevitable, as well as necessary, step for the spiritual resurrection of mankind. Edgar Allan Poe's short story . The destruction was brought about by a comet that removed nitrogen from Earth's atmosphere; this left only oxygen and resulted in a worldwide inferno. Richard Jefferies' novel After London (1. After a sudden and unspecified catastrophe has depopulated England, the countryside reverts to nature and the few survivors return to a quasi- medieval way of life. The first chapters consist solely of a description of nature reclaiming England: fields becoming overrun by forest, domesticated animals running wild, roads and towns becoming overgrown, London reverting to lake and poisonous swampland. The rest of the story is a straightforward adventure/quest set many years later in the wild landscape and society, but the opening chapters set an example for many later science fiction stories. H. G. Wells wrote several novels that have a post- apocalyptic theme. The Time Machine (1. A. D. Later in the story, the time traveler moves forward to a dying Earth beneath a swollen, red sun. The War of the Worlds (1. Earth by inhabitants of the planet Mars. The aliens systematically destroy Victorian England with advanced weaponry mounted on nearly indestructible vehicles. Due to the (in)famous radio adaptation of the novel by Orson Welles on his show, The Mercury Theatre on the Air, the novel has become one of the best known early apocalyptic works. It has subsequently been reproduced or adapted several times in comic books, film, music, radio programming, television programming, and video games. Post- 1. 90. 0 works. Clarke, in which aliens come to Earth, human children develop fantastic powers and the planet is destroyed. In Argentine comic writer H. Just prior to this, a different group of aliens is able to save samples of the biosphere and a small number of people, resettling them on Mars. Some of these form the crew of a ship to hunt down the home world of the killers, as described in the sequel, Anvil of Stars (1. Al Sarrantonio's Moonbane (1. Moon, which is why they are so attracted to it), and an invasion after an explosion on Luna sends meteoric fragments containing latent lycanthropes to Earth, who thrive in our planet's oxygen- rich atmosphere. Moonbane's tone is reminiscent of H. Wells' War of the Worlds (1. Charles R. Pellegrino and George Zebrowski's novel The Killing Star (1. Earth by an alien civilization. Using relativistic missiles, they are determined to destroy the human race in a preemptive strike, as they are considered a future threat. In the video game Chrono Trigger (1. Lavos collides with the earth in prehistoric times, subsequently hibernating beneath the earth. As millions of years pass, the monster feeds on the energy of the earth, eventually surfacing in 1. Day of Lavos'. It is implied that the attacking aliens are in reality former victims of an attack on their own planet and are now the slaves of an unseen controller race. The television series Defiance (2. Earth devastated by the . Unlike most apocalyptic works, in this one Earth is not inhospitable, and humanity is not on the verge of extinction. The World's End is a 2. British- American comic science fiction film directed by Edgar Wright, written by Wright and Simon Pegg, and starring Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan and Rosamund Pike. The film follows a group of friends who discover an alien invasion during a pub crawl in their home town. In the final confrontation with the aliens (Bill Nighy) it is revealed that it was the aliens who helped create all the technology around us and once the aliens were ordered to leave the world reset to a post apocalyptic state. Astronomical. Shiel is a novel in which most of humanity has been killed by a poisonous cloud. In Philip Wylie and Edwin Balmer's novel When Worlds Collide (1. Earth is destroyed by the rogue planet Bronson Alpha. A selected few escape on a spaceship. In the sequel, After Worlds Collide (1. Bronson Beta, which has taken the orbit formerly occupied by Earth. The horror manga Hellstar Remina, by Junji Ito, presents a similar premise where an extrasolar, and in reality extradimensional, rogue planet sets a collision course for Earth, destroying several solar systems on the way there, and destroying Pluto, Jupiter, Saturn and Mars as well. It is eventually discovered that the planet is in reality a massive lifeform that feeds on other planets, and is not only alive, but also home to an extremely deadly ecosystem which kills both an expedition force and a group of affluent survivors that escapes to the planets surface to avoid death on Earth. A nuclear response fails, and the planet devours Earth, leading to the extinction of mankind aside from a group of characters surviving in a durable, airtight shelter that is left floating in empty space with supplies and air for a year. In J. Mc. Intosh's novel One in Three Hundred (1. Sun will go . Super- hurricanes and tornadoes are predicted. Buildings will be blown away. A race is on to build thousands of spaceships for the sole purpose of transferring evacuees on a one- way trip to Mars.
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